Night Flight


 Night Flight



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Greek Festival Week

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  Greek Festival Week This week is the annual Greek Festival at Wilmington's Holy Trinity Church.  I've painted the church twice, each one commissioned by a Holy Trinity parishioner.  A line of Greek dancers at the festival were elements of both paintings. A detail from the first painting, a watercolor on paper...  And a detail from the second painting, acrylic on canvas, now with ancient Greek dancers meeting the modern folk dancers...  Here's the second painting in its entirety...  Opa! Opa!
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Bridges of the Brandywine

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  Bridges of the Brandywine In my posting last month, The Three Bridges ( https://rmw-ramblings.blogspot.com/2024/09/the-three-bridges.html),  I mentioned that that project lead me to investigating all of the other bridges over the Brandywine in the Delaware section.  I visited and photographed all of them and researched their historic predecessors in the photo collections at the Delaware Historic Society and the Hagley Museum Library.  I painted watercolor views of each of them, then using scans of the individual paintings created a pictorial map of the Brandywine.  I had 18 x 24 inch prints of  Bridges of the Brandywine produced.   The border of the print is modeled on the truss work of some of these bridges.  The legend is modeled on Delaware historic markers.  For display I built a frame overlaid with truss-like metalwork built from pieces of an old Erector set. I have some copies of this print/poster still available.
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Views of 18th Street

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  Views of 18th Street   Our block is the upper end of W 18th St which terminates at Mount Salem Lane. This has given it a bit of an enclosed enclave vibe, where for a time the kids owned the street. And as we've been seeing, several accomplished professional artists have been part of this little community. I have taken this block as a subject for art itself in watercolors, acrylics, Christmas cards, and crafts. Here is a watercolor view of the north side of the block that I painted for a Christmas card.  The houses and the walking couple were painted separately, then scanned and combined digitally. This allowed me to experiment with placement of the figures and alternative foreground subjects like sledders. The Christmas card prompted  J oe Harris, who with his family lived across the street, to suggest that I paint a winter view of their side.  This view is in acrylic on canvasboard.  The most prominent house here is the Harris's, and the car belongs ...
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